THE 101A - Introduction to Theatre
	An introductory course that focuses on the total theatrical experience. It examines, through study and involvement, the creative artists such as the playwright, actors, director and designers, who bring the live production to the stage through the collaborative production process. This study will lead to a critical appreciation of theatre from an audience viewpoint. Every semester. Credit: 4

	THE 203 - Acting and Technical I
	Theater fundamentals exercised through practice in one or more of the following areas: acting, stagecraft, properties, costumes, makeup, or lighting. May be retaken for a maximum of 8 credit hours. Prerequisite(s): Permission of instructor. Every semester. Credit: 4

	THE 205 - Introduction to CAD
	An introductory course in the basic operation of a computer assisted drafting system. Use of the commands and input methods will be stressed. 2-D drawings will be completed with emphasis on how they relate to Scenic, Lighting and Costume design in theatre. Once a year. Credit: 4

THE 209 - Creative Dramatics

The use of exploratory-centered drama (rather than performance-centered drama) created by the participants. Used as an educational tool that exposes children to traditional theatre arts, it can also be used with any age-group as a means of exploring creativity. Frequently used in educational institutions as a unifying means for the teaching and learning of several other subjects like history, science, literature, writing, art, music, dance, etc. Prerequisite(s): One previous course in art, fine art, music, or theatre. Every three years. Credit: 4

	THE 211A - Fundamentals of Acting
	Beginning with a series of practice exercises in body and vocal development, creating a score of actions for telling a story with a character, exploring script and character analysis, and refining observation and empathetic skills, the student actor will soon utilize these skills in developing roles in several short scenes and other presentations. Every year. Credit: 4

	THE 212A - Play Structure and Analysis
	This course will focus on methodologies for study and understanding the play as a literary genre in relationship to theatre. A variety of plays from Greek to the Modern era will be read and discussed applying the Aristotelian concept of play analysis. Every year. Credit: 4

	THE 221A - Introduction to Stagecraft and Scenic Design
	This class is a study of the principles and theories of elements related to theatrical scenic design and construction. It includes lectures, demonstrations, and practical application of ideas, techniques and methods employed in the theatre production process. Every year. Credit: 4

	THE 223 - Introduction to Stagecraft and Scenic Design Lab
	This Lab will be used for the practical application of scenic design theory in actual theatre production situations.  Students will work on the semester productions as scenic designers and assistants. Prerequisite(s): Concurrent enrollment with THE 221A. Every year. Credit: 0

	THE 226 - Stage Lighting
	This course will cover the theory, operation and use of stage lighting instruments, control boards, and basic lighting design. Students will learn specific CAD programs associated with designing theatre lighting. Study will include developing lighting design concepts for specific plays with accompanying light plot designs. Once a year. Credit: 4

	THE 227 - Stage Lighting Lab
	This Lab will be used for the practical application of stage lighting design theory in actual production situations. Students will work on semester productions as lighting designers and assistants. Prerequisite(s): Concurrent enrollment with THE 226 is required. Once a year. Credit: 0

	THE 231A - Stage Makeup
	The principles, materials, and methods of applying stage makeup are investigated through lecture-demonstrations and laboratory exercises. Prerequisite(s): Concurrent enrollment in THE 232 is required. THE 101A suggested or theatre experience. Every two years. Credit: 4

	THE 232 - Stage Makeup Lab
	Application of skills learned in THE 231A will be demonstrated in laboratory makeup crew work on productions, or in preparation of designs for productions.  Must be taken concurrently with THE 231A. Prerequisite(s): Concurrent registration with THE 231A is required. THE 101A suggested or Theatre experience. Every two years. Credit: 0

	THE 240A - Costume Construction
	Study of the methods of construction of costumes for the stage.  Topics include study of sewing, measurements, pattern development, storage needs, dyeing, care of costumes, accessory construction, construction of special effects, and study of the history of costume. Prerequisite(s): Concurrent enrollment in THE 241 is required. Theatre experience or permission of instructor. Credit: 4

	THE 241 - Costume Construction Lab
	Laboratory time for THE 240A. Laboratory time will be used for practical application of sewing, measurement, pattern development, etc. of those aspects studied in Costume Construction. Prerequisite(s): Theatre experience or permission of instructor; Concurrent enrollment in THE 240A is required. Every two years.  Credit: 0

THE 242A - Costume Design and Theory

Study of the theory of costume design for the stage. Topics include a study of the role of the costume designer and relationships with other theatre personnel, the duties of the costume designer, analysis of play and character interpretation, use of design concepts in line, texture, color, movement, light, fabric choices and alterations (dyeing, etc.), research methods, budget estimates, accessories and special effects. Prerequisite(s): Concurrent enrollment in THE 243 is required. Theatre experience or permission of instructor. Every two years. Credit: 4

	THE 243 - Costume Design and Theory Lab
	Laboratory time for THE 242. Laboratory time will be used for meetings with a director and other designers in preparation for theoretical designs of several productions. Laboratory time will also include work on color theory in relationship to lighting and set design. Prerequisite(s): Theatre experience or permission of instructor; concurrent enrollment in THE 242A is required. Credit: 0

	THE 250A - Stage Management and Play Production
	This course will investigate the duties and responsibilities of the stage manager and study the procedures followed in the production process. It will assist the student to  develop through practical exercises, specific skills and techniques in stage management related to the theatre production. Once a year. Credit: 4

	THE 251 - Stage Management and Play Production Lab
	his Lab will be the student actually assuming the duties and responsibilities of the stage manager in the various theatre productions mounted each semester. Students will be assigned to productions as stage managers in the following semester's production. Students will have one year, or two semesters to fulfill the Lab requirement. Fall semester. Credit: 4

	THE 303 - Acting and Technical II
	Advanced level of theatre fundamentals exercised through practice in one or more of the following areas: acting, stagecraft, properties, costumes, or lighting. May be retaken for a maximum of 8 credit hours. Prerequisite(s): Permission of instructor and 3 credits of THE 203. Every semester. Credit: 4

THE 350A - Fundamentals of Directing

An introductory course that focuses on the director's responsibilities including pre-production activities:  script selection and analysis and development of a directors and production concept, auditioning, casting, and development of a rehearsal schedule. Rehearsal duties:  character development, blocking/picturization, rhythm, tempo pace, as well as understanding the relationship between director and the various designers:  scenic, lighting, costume, makeup, and sound.  Students, in relationship with the Fundamentals of Acting class, will select, audition and direct a final short scene. Every year. Credit: 4

THE 361A - Theatrical History and Literature to 1700

A study of theatrical history, literature, and staging practices in Western and Asian cultures up to the 1700s through readings of selected seminal plays in world theatrical literature, through readings about theatre practices and the social/political/economic forces that affected them, and through individual research and presentations for seminar discussions. Prerequisite(s): THE 101A or permission of instructor. Every two years. CCP Credit: 4

THE 362A - Contemporary Plays and Theatre Practice from the 17th century

A study of theatrical literature, artistic theories and staging practices from the 18th century to the present through readings of selected seminal plays in world theatrical literature, through readings about theatre practices and the social/political/economic forces that affected them, and through individual research and presentations for seminar discussions. Prerequisite(s): THE 101A or permission of instructor. Every three years. CCP Credit: 4

	THE 363A - Theatrical Literature and History of the Unites States
	Study of the history and development of theatre and drama in the United States from its beginning through contemporary time and of the culture that has influenced its changes and developments. Prerequisite(s): THE 101A or permission of the instructor. Every three years. CCP Credit: 4

	THE 377 - Topics in Theatre
	Intensive study of a single artist, genre, or special topic (e.g., Pantomime). Not suggested for first year students. Prerequisite(s): Permission of instructor. Every three years. Credit: 4

	THE 397 - Independent Study in Theatre
	Advanced work in children's theatre, makeup design and execution, publicity, box office, or some similar study on a specialized area of theatre that is not covered by another course.  Course may be repeated, but THE 397 and THE 497 may not exceed 12 credits. Prerequisite(s): Permission of instructor and VAPA department chairperson. Every semester.  Credit: 2-4

THE 421 - Intermediate Acting

Further study of the tools and skills good actors develop and use will be explored:  physical and vocal exercises, script analysis and character development, improvisational exercises for specific character development, period acting explorations, and applications of those skills with monologues, scenes and/or a play. Prerequisite(s): THE 211A and permission of instructor. At least every two years.  Credit: 4

THE 422 - Advanced Acting

Advanced study of the tools and skills good actors develop and use will be explored:  physical and vocal exercises, script analysis and character development, improvisational exercises for specific character development, period acting explorations, and applications of those skills with monologues, scenes and/or a play. Prerequisite(s): THE 211A, THE 421 and permission of instructor. At least every two years.  Credit: 4

	THE 450 - Intermediate Directing
	Problems in directing are approached in this course through actual mounting of a one-act play by the student. Prerequisite(s): THE 350A and permission of the instructor. Every year. Credit: 4

	THE 477 - Topics in Theatre
	Intensive study of a single artist, genre, or special topic (e.g., Eighteenth Century Styles of Acting: Sheridan, Commedia/Farcial Styles of Acting, Russian Theatre). Not suggested for first year students. Prerequisite(s): Permission of instructor and VAPA department chairperson. Every three years. Credit: 4

	THE 497 - Independent Study in Theatre
	Advanced project in directing or design and execution of projects in costumes, lighting or scenery, depending upon the student's interest and choice. Prerequisite(s): Permission of instructor and VAPA department chairperson. Every semester.  Credit: 2-4